wootbuild · gizmo

1-14 superseded by wootbuild-gizmo@2 — Justin's fawn snout, crescent tag and sweet/fierce split. 15-28 carry no dog, so none of those three clauses touches them and they stand.

1-14 superseded by wootbuild-gizmo@2 — Justin's fawn snout, crescent tag and sweet/fierce split. 15-28 carry no dog, so none of those three clauses touches them and they stand.

1-14 superseded by wootbuild-gizmo@2 — Justin's fawn snout, crescent tag and sweet/fierce split. 15-28 carry no dog, so none of those three clauses touches them and they stand.

1-14 superseded by wootbuild-gizmo@2 — Justin's fawn snout, crescent tag and sweet/fierce split. 15-28 carry no dog, so none of those three clauses touches them and they stand.

1-14 superseded by wootbuild-gizmo@2 — Justin's fawn snout, crescent tag and sweet/fierce split. 15-28 carry no dog, so none of those three clauses touches them and they stand.

1-14 superseded by wootbuild-gizmo@2 — Justin's fawn snout, crescent tag and sweet/fierce split. 15-28 carry no dog, so none of those three clauses touches them and they stand.

1-14 superseded by wootbuild-gizmo@2 — Justin's fawn snout, crescent tag and sweet/fierce split. 15-28 carry no dog, so none of those three clauses touches them and they stand.

1-14 superseded by wootbuild-gizmo@2 — Justin's fawn snout, crescent tag and sweet/fierce split. 15-28 carry no dog, so none of those three clauses touches them and they stand.

1-14 superseded by wootbuild-gizmo@2 — Justin's fawn snout, crescent tag and sweet/fierce split. 15-28 carry no dog, so none of those three clauses touches them and they stand.

1-14 superseded by wootbuild-gizmo@2 — Justin's fawn snout, crescent tag and sweet/fierce split. 15-28 carry no dog, so none of those three clauses touches them and they stand.

1-14 superseded by wootbuild-gizmo@2 — Justin's fawn snout, crescent tag and sweet/fierce split. 15-28 carry no dog, so none of those three clauses touches them and they stand.

1-14 superseded by wootbuild-gizmo@2 — Justin's fawn snout, crescent tag and sweet/fierce split. 15-28 carry no dog, so none of those three clauses touches them and they stand.

1-14 superseded by wootbuild-gizmo@2 — Justin's fawn snout, crescent tag and sweet/fierce split. 15-28 carry no dog, so none of those three clauses touches them and they stand.

1-14 superseded by wootbuild-gizmo@2 — Justin's fawn snout, crescent tag and sweet/fierce split. 15-28 carry no dog, so none of those three clauses touches them and they stand.

The middle and top rungs of the bonus-stage escalation ladder. Justin, 2026-09-08: 'there should be a series of at least three, maybe up to five escalation points of Gizmo's expression, drool, teeth, and mannerism as it escalates.' Candidate 2 of the growl shows more teeth and a harder eye. Candidate 4 of the feral pose is the pick because candidate 3 came back on a WHITE FRAME rather than the flat ground — a card, not a subject, which is the framed-panel failure the cutout guard was built for. 4 has the bulging bloodshot eye and the veins on the muzzle, which is the red-eye escalation asked for.

The middle and top rungs of the bonus-stage escalation ladder. Justin, 2026-09-08: 'there should be a series of at least three, maybe up to five escalation points of Gizmo's expression, drool, teeth, and mannerism as it escalates.' Candidate 2 of the growl shows more teeth and a harder eye. Candidate 4 of the feral pose is the pick because candidate 3 came back on a WHITE FRAME rather than the flat ground — a card, not a subject, which is the framed-panel failure the cutout guard was built for. 4 has the bulging bloodshot eye and the veins on the muzzle, which is the red-eye escalation asked for.

Piece 3, the protective bubble, is killed by design rather than by execution: Justin, 2026-09-07 — 'We don't need a protective bubble ... it's not a box. It's like an aura and when he's cute, nothing can harm him.' Replaced by fx-aura from r-20260907-7770. The other four replace pieces that reached the game as rectangles: treat-sock and treat-slipper had the flat generation ground still welded on (98% and 100% of their own bounding box), and the fart and burp clouds are new — the gas is a weapon now.

Piece 3, the protective bubble, is killed by design rather than by execution: Justin, 2026-09-07 — 'We don't need a protective bubble ... it's not a box. It's like an aura and when he's cute, nothing can harm him.' Replaced by fx-aura from r-20260907-7770. The other four replace pieces that reached the game as rectangles: treat-sock and treat-slipper had the flat generation ground still welded on (98% and 100% of their own bounding box), and the fart and burp clouds are new — the gas is a weapon now.

Piece 3, the protective bubble, is killed by design rather than by execution: Justin, 2026-09-07 — 'We don't need a protective bubble ... it's not a box. It's like an aura and when he's cute, nothing can harm him.' Replaced by fx-aura from r-20260907-7770. The other four replace pieces that reached the game as rectangles: treat-sock and treat-slipper had the flat generation ground still welded on (98% and 100% of their own bounding box), and the fart and burp clouds are new — the gas is a weapon now.

Piece 3, the protective bubble, is killed by design rather than by execution: Justin, 2026-09-07 — 'We don't need a protective bubble ... it's not a box. It's like an aura and when he's cute, nothing can harm him.' Replaced by fx-aura from r-20260907-7770. The other four replace pieces that reached the game as rectangles: treat-sock and treat-slipper had the flat generation ground still welded on (98% and 100% of their own bounding box), and the fart and burp clouds are new — the gas is a weapon now.

Candidate B: the eye reads as sad rather than tired, which is the whole job of a game-over pose. Both are full body at gizmo-ready's framing. Justin, 2026-09-08: 'we need a clear game over screen with sad gizmo' — the screen was reusing the tier-0 result pose, which is a JUDGEMENT of the run ('Too many got past you') and not a reaction to it.

Candidate B: the bolder four-point sparkles read at speed, and the aura draws BEHIND Gizmo so the sparkle layer is what a player actually sees. Justin, 2026-09-07: 'a cute cloud and it should have a sparkly like magic like shine to it ... like a fairy godmother, ray of sunshine.'

The whole bonus set in one run, and the damage ladder actually reads as a ladder: pristine, scuffed with grass stains and tooth dents, punctured with a hanging flap, shredded with stuffing out, then a flat burst rag. Justin, 2026-09-07: 'this ball slowly degrades each time it shakes ... should be destroyed in various different capacities.' Five states plus debris is what makes that visible rather than numeric. The Gizmo is head-and-shoulders side-on with jaws clamped and eyes squeezed — deliberately NOT a full body, because the bonus stage is a different view and Gizmo is bigger in it.

The whole bonus set in one run, and the damage ladder actually reads as a ladder: pristine, scuffed with grass stains and tooth dents, punctured with a hanging flap, shredded with stuffing out, then a flat burst rag. Justin, 2026-09-07: 'this ball slowly degrades each time it shakes ... should be destroyed in various different capacities.' Five states plus debris is what makes that visible rather than numeric. The Gizmo is head-and-shoulders side-on with jaws clamped and eyes squeezed — deliberately NOT a full body, because the bonus stage is a different view and Gizmo is bigger in it.

The whole bonus set in one run, and the damage ladder actually reads as a ladder: pristine, scuffed with grass stains and tooth dents, punctured with a hanging flap, shredded with stuffing out, then a flat burst rag. Justin, 2026-09-07: 'this ball slowly degrades each time it shakes ... should be destroyed in various different capacities.' Five states plus debris is what makes that visible rather than numeric. The Gizmo is head-and-shoulders side-on with jaws clamped and eyes squeezed — deliberately NOT a full body, because the bonus stage is a different view and Gizmo is bigger in it.

The whole bonus set in one run, and the damage ladder actually reads as a ladder: pristine, scuffed with grass stains and tooth dents, punctured with a hanging flap, shredded with stuffing out, then a flat burst rag. Justin, 2026-09-07: 'this ball slowly degrades each time it shakes ... should be destroyed in various different capacities.' Five states plus debris is what makes that visible rather than numeric. The Gizmo is head-and-shoulders side-on with jaws clamped and eyes squeezed — deliberately NOT a full body, because the bonus stage is a different view and Gizmo is bigger in it.

The whole bonus set in one run, and the damage ladder actually reads as a ladder: pristine, scuffed with grass stains and tooth dents, punctured with a hanging flap, shredded with stuffing out, then a flat burst rag. Justin, 2026-09-07: 'this ball slowly degrades each time it shakes ... should be destroyed in various different capacities.' Five states plus debris is what makes that visible rather than numeric. The Gizmo is head-and-shoulders side-on with jaws clamped and eyes squeezed — deliberately NOT a full body, because the bonus stage is a different view and Gizmo is bigger in it.

The whole bonus set in one run, and the damage ladder actually reads as a ladder: pristine, scuffed with grass stains and tooth dents, punctured with a hanging flap, shredded with stuffing out, then a flat burst rag. Justin, 2026-09-07: 'this ball slowly degrades each time it shakes ... should be destroyed in various different capacities.' Five states plus debris is what makes that visible rather than numeric. The Gizmo is head-and-shoulders side-on with jaws clamped and eyes squeezed — deliberately NOT a full body, because the bonus stage is a different view and Gizmo is bigger in it.

The whole bonus set in one run, and the damage ladder actually reads as a ladder: pristine, scuffed with grass stains and tooth dents, punctured with a hanging flap, shredded with stuffing out, then a flat burst rag. Justin, 2026-09-07: 'this ball slowly degrades each time it shakes ... should be destroyed in various different capacities.' Five states plus debris is what makes that visible rather than numeric. The Gizmo is head-and-shoulders side-on with jaws clamped and eyes squeezed — deliberately NOT a full body, because the bonus stage is a different view and Gizmo is bigger in it.

The ball is genuinely in his jaws in all five. The composite was never going to read: every face already carried its own open mouth, so a denture laid beside the muzzle was a second mouth. A bite is a relationship between two shapes and no runtime compositing invents one — baking it into the drawing collapses the ball ladder and the face ladder into the same five rungs they always were.

The ball is genuinely in his jaws in all five. The composite was never going to read: every face already carried its own open mouth, so a denture laid beside the muzzle was a second mouth. A bite is a relationship between two shapes and no runtime compositing invents one — baking it into the drawing collapses the ball ladder and the face ladder into the same five rungs they always were.

The ball is genuinely in his jaws in all five. The composite was never going to read: every face already carried its own open mouth, so a denture laid beside the muzzle was a second mouth. A bite is a relationship between two shapes and no runtime compositing invents one — baking it into the drawing collapses the ball ladder and the face ladder into the same five rungs they always were.

The ball is genuinely in his jaws in all five. The composite was never going to read: every face already carried its own open mouth, so a denture laid beside the muzzle was a second mouth. A bite is a relationship between two shapes and no runtime compositing invents one — baking it into the drawing collapses the ball ladder and the face ladder into the same five rungs they always were.

The ball is genuinely in his jaws in all five. The composite was never going to read: every face already carried its own open mouth, so a denture laid beside the muzzle was a second mouth. A bite is a relationship between two shapes and no runtime compositing invents one — baking it into the drawing collapses the ball ladder and the face ladder into the same five rungs they always were.

Mya replaces the cat: a Siberian husky who is mischievous and aloof rather than evil, still holding the red laser pen. Justin, 2026-09-08: 'All art is looking good on Maya.' Candidate 1 has the better aloof sit and the fuller tail; 3 reads as a REACTION rather than a portrait, which is what a hurt frame has to do. THE CLOTHESLINE IS REJECTED BY DESIGN, not execution. Justin: 'I have concerns about the clothes wire, just because I don't want it to look like even worse if we can't have it run across. I think it should be almost like a 2D line that extends end to end.' He is right — a drawn wire is a fixed-width object on a screen whose width it cannot know, so it either tiles visibly or stops short of both edges. A line drawn in code spans the stage exactly, at any size, forever. This is the same call as the crane cabinet: the app draws it now, and the art was not bad.

Mya replaces the cat: a Siberian husky who is mischievous and aloof rather than evil, still holding the red laser pen. Justin, 2026-09-08: 'All art is looking good on Maya.' Candidate 1 has the better aloof sit and the fuller tail; 3 reads as a REACTION rather than a portrait, which is what a hurt frame has to do. THE CLOTHESLINE IS REJECTED BY DESIGN, not execution. Justin: 'I have concerns about the clothes wire, just because I don't want it to look like even worse if we can't have it run across. I think it should be almost like a 2D line that extends end to end.' He is right — a drawn wire is a fixed-width object on a screen whose width it cannot know, so it either tiles visibly or stops short of both edges. A line drawn in code spans the stage exactly, at any size, forever. This is the same call as the crane cabinet: the app draws it now, and the art was not bad.

Mya replaces the cat: a Siberian husky who is mischievous and aloof rather than evil, still holding the red laser pen. Justin, 2026-09-08: 'All art is looking good on Maya.' Candidate 1 has the better aloof sit and the fuller tail; 3 reads as a REACTION rather than a portrait, which is what a hurt frame has to do. THE CLOTHESLINE IS REJECTED BY DESIGN, not execution. Justin: 'I have concerns about the clothes wire, just because I don't want it to look like even worse if we can't have it run across. I think it should be almost like a 2D line that extends end to end.' He is right — a drawn wire is a fixed-width object on a screen whose width it cannot know, so it either tiles visibly or stops short of both edges. A line drawn in code spans the stage exactly, at any size, forever. This is the same call as the crane cabinet: the app draws it now, and the art was not bad.

Mya replaces the cat: a Siberian husky who is mischievous and aloof rather than evil, still holding the red laser pen. Justin, 2026-09-08: 'All art is looking good on Maya.' Candidate 1 has the better aloof sit and the fuller tail; 3 reads as a REACTION rather than a portrait, which is what a hurt frame has to do. THE CLOTHESLINE IS REJECTED BY DESIGN, not execution. Justin: 'I have concerns about the clothes wire, just because I don't want it to look like even worse if we can't have it run across. I think it should be almost like a 2D line that extends end to end.' He is right — a drawn wire is a fixed-width object on a screen whose width it cannot know, so it either tiles visibly or stops short of both edges. A line drawn in code spans the stage exactly, at any size, forever. This is the same call as the crane cabinet: the app draws it now, and the art was not bad.

Candidate B: ONE face. Candidate 1 grew a second face on the stalk, which is the classic diffusion double — a feature asked for once and rendered twice on a subject with two roundish masses. B is the smug crown face over a clean pale stalk, on-register with the targets that already carry faces.

The goal and the pitch, used as an ELEMENT rather than as a background: the portrait spec keyed it out to an oval, and a background has to fill 390x844 edge to edge at any size. The grass, sky and pitch lines are painted in code around it, which is the same call as the clothesline — a fixed-size image cannot span a screen whose width it does not know.

Candidate B: bigger glossy sparkle eyes and the sweeter closed smile. Both are FULL BODY at the same scale and framing as gizmo-ready, which is the whole point — Justin, 2026-09-07: 'Kawaii Gizmo isn't like a full body Gizmo so it looks weird.' The @2 kawaii piece was a head-and-shoulders bust drawn into the same box as full-body poses, so the head rendered enormous and floating.

The bonus stage gets a LADDER of faces, not one pose: clamped-and-straining, then snarling with everything bared, so the picture escalates with the damage bar. Teeth candidate B is a curved bite arc rather than a flat row — it has to sit OVER the ball and read as holding it, which a straight row cannot. Drool A has distinct strands with droplets, which is what lets it build up in layers rather than appear all at once. And the champion is a NEW pose for the end of the game — Justin, 2026-09-08: 'a different picture of Gizmo that you've never seen before, not the one of him in the crown.'

The bonus stage gets a LADDER of faces, not one pose: clamped-and-straining, then snarling with everything bared, so the picture escalates with the damage bar. Teeth candidate B is a curved bite arc rather than a flat row — it has to sit OVER the ball and read as holding it, which a straight row cannot. Drool A has distinct strands with droplets, which is what lets it build up in layers rather than appear all at once. And the champion is a NEW pose for the end of the game — Justin, 2026-09-08: 'a different picture of Gizmo that you've never seen before, not the one of him in the crown.'

The bonus stage gets a LADDER of faces, not one pose: clamped-and-straining, then snarling with everything bared, so the picture escalates with the damage bar. Teeth candidate B is a curved bite arc rather than a flat row — it has to sit OVER the ball and read as holding it, which a straight row cannot. Drool A has distinct strands with droplets, which is what lets it build up in layers rather than appear all at once. And the champion is a NEW pose for the end of the game — Justin, 2026-09-08: 'a different picture of Gizmo that you've never seen before, not the one of him in the crown.'

The bonus stage gets a LADDER of faces, not one pose: clamped-and-straining, then snarling with everything bared, so the picture escalates with the damage bar. Teeth candidate B is a curved bite arc rather than a flat row — it has to sit OVER the ball and read as holding it, which a straight row cannot. Drool A has distinct strands with droplets, which is what lets it build up in layers rather than appear all at once. And the champion is a NEW pose for the end of the game — Justin, 2026-09-08: 'a different picture of Gizmo that you've never seen before, not the one of him in the crown.'

The bonus stage gets a LADDER of faces, not one pose: clamped-and-straining, then snarling with everything bared, so the picture escalates with the damage bar. Teeth candidate B is a curved bite arc rather than a flat row — it has to sit OVER the ball and read as holding it, which a straight row cannot. Drool A has distinct strands with droplets, which is what lets it build up in layers rather than appear all at once. And the champion is a NEW pose for the end of the game — Justin, 2026-09-08: 'a different picture of Gizmo that you've never seen before, not the one of him in the crown.'

Buttons and demerits, all pre-approved by Justin 2026-09-08. ui-banana: candidate B is flatter and wider, which is what a button needs — a phrase has to sit across it and A's curve pushes the text off the fruit. treat-banana: candidate B is compact and upright, and a falling treat is read at 51px where the splayed peel of A becomes a smear. hazard-mint: candidate A's pucker is the more legible sour face at size, and the mint has to say 'do not eat me' with the same clarity the broccoli does.

Buttons and demerits, all pre-approved by Justin 2026-09-08. ui-banana: candidate B is flatter and wider, which is what a button needs — a phrase has to sit across it and A's curve pushes the text off the fruit. treat-banana: candidate B is compact and upright, and a falling treat is read at 51px where the splayed peel of A becomes a smear. hazard-mint: candidate A's pucker is the more legible sour face at size, and the mint has to say 'do not eat me' with the same clarity the broccoli does.

Buttons and demerits, all pre-approved by Justin 2026-09-08. ui-banana: candidate B is flatter and wider, which is what a button needs — a phrase has to sit across it and A's curve pushes the text off the fruit. treat-banana: candidate B is compact and upright, and a falling treat is read at 51px where the splayed peel of A becomes a smear. hazard-mint: candidate A's pucker is the more legible sour face at size, and the mint has to say 'do not eat me' with the same clarity the broccoli does.

Soccer ball B. The face is centred on the ball, so the silhouette stays a BALL at ninety pixels; A pushes the face right and the cheek breaks the circle, which is the one thing a falling round target cannot afford.

Front yard B. The taller clean sky is the gameplay argument: a black-and-white soccer ball falling from the top reads against blue far longer before it crosses the yellow house wall. A is flatter and puts the roofline high enough that balls cross a busy mid-tone almost immediately. Justin, 2026-09-08: 'All our options are fine ... Just choose one.'

Both rooms match Justin's mocks on every named element — the lamp, the framed banana, the paw mug, the navy sofa, the rain and the fireworks — and carry no text, which is what a plate under live numbers has to do. Gizmo is IN the render sitting on the sofa rather than composited onto it: one-render-cut-beats-many-composited applied before it could go wrong, because no per-piece contract can specify a dog sitting ON a cushion.

Both rooms match Justin's mocks on every named element — the lamp, the framed banana, the paw mug, the navy sofa, the rain and the fireworks — and carry no text, which is what a plate under live numbers has to do. Gizmo is IN the render sitting on the sofa rather than composited onto it: one-render-cut-beats-many-composited applied before it could go wrong, because no per-piece contract can specify a dog sitting ON a cushion.

Trophy and gift, for the high-score and bonus rows of the result panel. Judged at the size they are used — 24px beside a number — not at 512.

Trophy and gift, for the high-score and bonus rows of the result panel. Judged at the size they are used — 24px beside a number — not at 512.